For this reason I will refer to Christopher Isherwood by two different names throughout this project. During his imprisonment, Oliver discovers his erotic qualities and confirms his sexual desires in a Whitmanesque manner:. The interactions between Anthony and the masseur signify the intensity of male-male desire and its suppression in hetero-normative culture. Williams combines gothic language and cultural stigma to emphasize destructive perceptions of male-male desire.
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The Tennessee Williams Annual Review
It would be wrong to read this comment as simple satire. Oliver—deviant, deformed, and deranged—represents homosexual desire as diseased and destructive. William Heinemann Ltd,
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Mortmere becomes a landscape in which hidden, socially unacceptable desires, both sexual and otherwise, can run rampant without consequence. He wonders how he would behave in various combat situations, but here, as ever, the censorship, in blind panic, intervened, blacking out the image. Oliver, a former boxer and now a hustler, exists in the margins of society; he represents the clandestine world of queer lauren powers muscle domination. I will begin with the atmosphere desire stirred in his heterosexual loins which Isherwood came of age in Cambridge and London, concentrating on the potential effects of class distinctions on the homosexual experience. This early work is a typical coming-of-age story directly connected to the first world war.